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A disclaimer…

I recently had a discussion with a friend of mine about the acceptable behavior of a writer. We agreed that a “real writer,” i.e. a writer with talent, would never say, “Yes, I’m a writer, and a fine one at that.” It seems to me that along with literary talent comes an almost debilitating self-consciousness; a humility born not of social mores, but rather an omnipresent feeling of insecurity.

This is of course not the case for all writers. Hemingway prided himself on his hauteur, though I think his public persona, as well as his alcoholism, masked much of his shaky confidence. His friend F. Scott Fitzgerald on the other hand was notoriously insecure — the impromptu check-up described by Hemingway in A Movable Feast says it all — and his attendant alcoholism destroyed him.

So where am I going with all this? Basically, I too have been having a certain crisis of confidence. Who am I to expound on the glories of literature? Who am I to use words like “expound,” and phrases like “glories of literature?” It is my presumption that this blog, and my writing, is halfway decent, and that people may want to read it. I don’t profess to be authoritative in my opinions in any way; a lay reader’s visceral response to a book is as valid as anything I could say here. I simply hope that I notice some things a lay reader might miss on a first reading, and maybe these observations can at least surprise, if not edify.

What’s on deck?

Well, now that I know I have at least one reader (big up Celine), I feel obligated to give some idea of what’s on the agenda for the coming weeks so you can plan your vacations and other activities around checking Enfield:

1)I am currently reading “Vanity Fair” in order to complete the reading for my “Dickens, Thackeray, Eliot” class. (This about two months after having graduated.) I will probably write something on the 19th Century British novel, focusing on “Vanity Fair.” Whether this will interest any of you remains to be seen…I’m still deciding if I’m even interested.

2)I’ve been ogling “Pedro Paramo” by Juan Rulfo for a few weeks now, as it has been on my shelf since my freshman year writing seminar at Cornell. It’s short, which I think will be a nice change after slogging through 900 pages of Victorian prose.

3)My dearest reader, Celine, has asked whether people can request book reviews. To this I say “Of course!” But here’s the thing: you should write them yourselves! If any of you guys want to contribute to Enfield, just drop me a line and I’ll hook you up with an administrator password/login thing. Also, submissions need not be book reviews, you can write about pretty much anything and I’ll put it up here.

Hello all (and by all, I think I mean the abstract possibility of future readership),

Welcome to the Enfield Book Review! My name is Jed Cohen and I will be your sole (for the time being) book reviewer and trusty guide through the morass of language dubbed (perhaps incorrectly) literature. Rather than follow the tired formula of the book reviews we know and love, I will simply be writing about the books I’m currently reading, whether new or old, fiction, non-fiction or poetry. The obvious influence here is Nick Hornby’s great column in The Believer, though I’m much less clever, and I make much less money. I will also be writing about certain magazines and journals, in which the writing can be absolutely fantastic.

The purpose of this blog is quite personal, as I don’t presume that my pseudo-literary ramblings will interest you in the slightest. I have noticed in recent years that I forget pertinent details about almost any book I read, even if it’s a book I’ve loved. This has happened to me all too often — possibly due to burgeoning post-collegiate alcoholism — and I believe I’ve found a way to prevent my rapidly evaporating knowledge: by constantly writing about the books I’m reading; by documenting the outlandish interpretations and close readings English majors are seemingly built for. In this way I hope to cement these books in my memory, for better or worse, and hopefully these scribblings (or typings?) will guide your reading, and inspire you to comment.

William Kennedy, the renowned chronicler of upstate New York whose Albany cycle of novels has garnered numerous awards, once said, “It is my longstanding feeling that literary conversation is the best conversation in the world.” Though I can’t say I unreservedly agree, literary conversation is certainly some of the best, and I implore you to make comments and respond to the various postings here.

Hope to hear from you soon,

Jed

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